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Cloisonné, also known as Jingtai Blue, is an ancient technique used to decorate metal works. The word “cloisonné”, comes from the French word, “cloison”, which means partition. Metal pieces are used to create partitions of the surface of an object. And enamel is then cast into those partitions. Chinese craftsmen are well known for producing some of the best cloisonné works in the world. There’s an interesting story about how cloisonné become popular. During the first year of the Yuan dynasty, there was a fire in the imperial palace. Most of the treasures were damaged, but the vase with the technique of cloisonné’s remained unharmed. The emperor considered it a precious gift, and asked all the craftsmen in the capital city to learn how to make it. The early enamels used on cloisonné were mainly blue. However, the name Jingtai Blue was not used until the Qing dynasty. During the Ming dynasty, especially under the rule of emperor Mingtai, cloisonné techniques reached their peak in China. Cloisonné wares became a key part of imperial supplies. These works, known for their thick copper base, bold metal wires, bright colors, and intricate designs of dragon flowers and symbols, demonstrated the exceptional skills and the innovations of Ming craftsmen. Some experts and collectors of cloisonné antiques believe that the cloisonné made in the middle of the Ming era, particularly in the Jingtai period and afterwards, was the best ever made in the world. During the Qing dynasty, the production scale of cloisonné was expanded, and the technology was improved. The types of cloisonné also increased. And the design became more diverse. In this period, gold was first used to make cloisonné decorations, and cloisonné furniture began to appear. Cloisonné artwork on gold objects was highly valued by the Qing court. Cloisonné has transcended its functional purpose and evolved into a treasure of Chinese artistic legacy. Its beauty has fascinated the world for centuries. Today, it still stands as a testament to the country’s enduring craftsmanship of the highest order.

近日，某校日语社因中日关系紧张而被要求改名为“语言学习社”一事，引发了广泛关注和讨论。这一事件看似是学校出于“政治正确”的考量，实则反映出一种值得警惕的文化心态。在全球化日益深入的今天，我们应如何构建健康的民族认同，避免走向狭隘的民族主义，是值得深入思考的问题。

那天，我与H君谈及黄仁勋。H君大笑道：“黄仁勋真是我的义父啊！”同理，他还认为姓吴的可以认吴恩达为义父；姓苏的可以认苏姿丰为义母；姓马的更是幸运——既能认马斯克为父，又能尊马云为父，还能认马化腾为父，堪称“三父临门”。这番高论引得教室哄堂大笑，我却在这戏谑中嗅到一丝值得深究的时代隐喻。

班级神人：崇洋媚外者 班里有些同学，一听到 “华为”、“鸿蒙” 云云就嗤之以鼻，一听到 “英伟达”、“苹果” 云云就趋之若鹜。这种现象值得引起我们的警惕：当代中学生失去自信力了吗？